Phoebe Zerwick is an Associate Professor of the Practice in the English Department, where she teaches writing and journalism. She comes to the digital humanities from a career in journalism, where digital tools have transformed storytelling and the reporting and distribution of the news.  She uses digital platforms in her writing and journalism classes to share student work with a readership outside the classroom. She also uses multimedia to produce web-based, public humanities projects, among them “Story of My Life” and the “Yadkin River Story.”

 

Jerid Francom is currently working with the ACTIV-ES corpus to develop an online interface to facilitate the classification and exploration of documents written in Spanish. Combining the Spanish language data and computational methods from information retrieval, the site will allow the public to upload a document of unknown origin, have that document classified as being from either Argentina, Mexico, or Spain, and then be able to visually identify those linguistic elements that are most and least indicative of the classified document. The aim is to make sophisticated computational tools available to a broad audience and facilitate identification of and bring awareness to dialect-specific and language-general patterns of the Spanish language.

 

Jerid Francom has recently released a novel corpus of ‘everyday’ Spanish language from TV/film dialogues from Argentina, Mexico, and Spain. Initially supported by an NEH Digital Start-up grant, the ACTIV-ES corpus is now available to scholars, instructors, and the general public to use to explore dialect variation in colloquial Spanish.  The data from this project was acquired through an online repository for TV/film subtitles and was subsequently text-normalized and part-of-speech annotated. To evaluate the extent to which the language contained in the corpus approximates the usage by native populations, in field psycholinguistic testing was conducted.

 

 

Dr. Jerid Francom, Associate Professor of Spanish & Linguistics. Dr. Francom’s research focuses on the use of large-scale language archives (‘corpora’) from a variety of sources (news, social media, and other internet sources) to better understand the linguistic and cultural similarities and differences between varieties of the Spanish language (native dialect and non-native/ learner language) for both scholarly and pedagogical projects. He has published on topics including the development, annotation, and evaluation of corpora and explored computational methodologies such as text classification and clustering algorithms. He has experience working with and teaching web development, database design, and scripting languages such as R and Python.

 

As an archivist, I have long been interested in creating connections between researchers, students, the communities in which we live, and the historical record, which documents who we are. The digital humanities offers new ways of sharing and seeing the record of the past, and I consider myself an active collaborator in representing the archival perspective. Participating in the St. Benedict the Moor Catholic Church anniversary project has been a tremendous experience, allowing me to assist both a community church and Wake Forest students engaged in learning.

 

On the eve of its 75th anniversary, St. Benedict the Moor Catholic Church (located on East 12th Street in Winston-Salem) invited Michelle Gillespie to help write and preserve its history.  Michelle partnered with Tanya Zanish-Belcher (ZSR Library’s Director of Special Collections & Archives), as well as her students in Honors 391, to help preserve the church’s collection of archival materials, capture 31 oral histories with the aid of WFU’s Wrought Iron Productions, and analyze the unique history of the church, with the intention of providing St. Ben’s with a website that is both a repository of this rich history and an invitation to multiple audiences to know more about this important community.

 

I have been teaching U.S. and regional history for 25 years, 16 of them at Wake Forest, and I have always been interested in the ways learning about the past can help students engage more fully in the communities around them. My recent partnership with students, staff, and community members on documenting the history of St. Benedict the Moor Catholic Church, and my introduction to the Digital Humanities work of my colleagues through the DH Community’s DH Kitchen, has opened my eyes to the sharing of information and the building of broader communities that making humanities work digital invites.

 

Cindy Hill is a documentary filmmaker and Teaching Professor at Wake Forest University. She currently serves as Co-Director of the Documentary Film Program and teaches courses in media production, documentary storytelling and media story editing. Cindy joined the Wake Forest University faculty in 2010.

Cindy has worked on numerous film projects that have aired nationally on PBS and have been distributed internationally. Most recently she has served as an associate director for The Last Flight of Petr Ginz, which screened in more than 40 countries and is available in seven languages, and as a co-director for Living in the Overlap, which has won four best short film festival awards and has screened in more than a dozen countries. At present, she is working on two film projects—Five Minutes, an animated documentary short about regenerative medicine and wounded vets—and The Silence of War, a transmedia project about a small group of African-American vets from rural North Carolina who are slowly coming to terms with their PTSD.

 

The students worked with a small group of African-American Vietnam veterans from rural, eastern North Carolina and explored how shared personal experience, the bonds of brotherhood, and the healing power of storytelling allowed these vets to break their years of silence. The students produced a transmedia project that examines the theme of silence through aural, visual and graphic representations of place and intimate personal profiles that capture the mental and physical costs of war.

 

Graduate and undergraduate students explored social, cultural and political expression in Filipino Street Art and created a series of I-books containing short films, graphic art, etc. to support a larger film project on this subject being produced by Wake Forest alums.